Perhaps you saw the Friday afternoon news dump from the scandal-ridden Hollywood Foreign Press Association announcing that it plans to present Golden Globe awards on the very day that we will be presenting the 27th annual Critics Choice Awards at the historic Fairmont Century Plaza. This comes despite the fact that we announced the date of our show back in May – and the fact that we had been presenting our awards on the second Sunday in January for several years running (not counting last year, when COVID pushed everyone back a couple of months).
The purpose of this memo is to reassure every CCA member that our 27th annual Critics Choice Awards show is going to be our biggest and best yet and can only be helped by this hostile announcement from the new leadership of this other group. If it is appropriate, I encourage you to share the gist of this message with your viewers, listeners, readers and followers, the louder the better. Our friends in the industry understand all of the above, but it would be wonderful if the greater public did, too.
I believe this desperate move by the HFPA to try and undercut the Critics Choice Awards and the tremendous support we are receiving from all the major studios, networks and streamers is…really good for us! For years we’ve been trying to draw the comparison between the tainted HFPA and the legitimate Critics Choice Association – which has five times as many members and no stink. Our awards are the considered judgment of almost 500 active critics and entertainment reporters who cover film and television and collectively reach virtually every entertainment consumer in the US and Canada every day. While the CCA proudly lists and displays pictures of all its members on our website, the HFPA has long hidden its tiny membership. Only now is it attempting to come clean after having been very publicly disgraced for its prejudice, its crassness, and it’s highly questionable business practices. So, yes, let’s make those comparisons! In fact, in their desperate search for new legitimate members, some of you have been approached about joining them. From their perspective, that makes sense. After all, CCA members are already vetted and proved to be respected working critics and journalists.
From our perspective, we do feel bad for those HFPA members who are legitimate members of the foreign press and are suffering from the fact that so many companies have chosen to stop working with them. We are even more sympathetic with the many members of the foreign press who have been unwelcome in the HFPA for decades, despite the fact that their collective reach is probably greater than the 80-some odd members of the HFPA who blackballed them when they sought membership. This is why the CCA created its new International Branch, to accredit important and influential members of the foreign entertainment press who had been unable to join HFPA.
And please note that while that other group is entirely about their one big television show (and dispensing the riches it has generated), the CCA has long been a diverse and inclusive organization that is true to our mission all year long – to help audiences find the good stuff, and to help the people who make the good stuff find their audiences. That’s why we are presenting the Critics Choice Documentary Awards on November 14, and why we are hosting the Celebration of Black Cinema & Television on December 6 and the Celebration of Latino Cinema on December 9, as well as our other Critics Choice events.
Onward and upward!
Joey CEO CCA —– Joey Berlin Critics Choice Association 9220 Sunset Blvd. Suite 220 Los Angeles, California 90069 (310) 860-2665 (p)
Acclaimed Documentarian R.J. Cutler to Receive The Pennebaker Award
Sunday, November 14, 2021 in Brooklyn, New York Presented by National Geographic Documentary Films The Sixth Annual Critics Choice Documentary Awards
Los Angeles, CA (Thursday, September 30) — The Sixth Annual Critics Choice Documentary Awards gala will take place on Sunday, November 14, 2021 at BRIC in Brooklyn, New York. The Critics Choice Association (CCA) will once again be honoring the finest achievements in documentaries, released in theaters, on TV and on major digital platforms, as determined by the voting of qualified CCA members.
In addition to the 14 award categories and one honor listed below, a most prestigious honor – The Pennebaker Award (formerly known as the Critics Choice Lifetime Achievement Award) – will be presented to esteemed documentarian R.J. Cutler. This award is named for Critics Choice Lifetime Achievement Award winner D A Pennebaker, who passed away in 2019. The award will be presented to Cutler by Pennebaker’s producing partner and wife, Chris Hegedus.
R.J. Cutler is the award-winning producer/director whose work includes some of the most acclaimed documentaries of the last thirty years. His most recent film, the Apple Original Film cinema verité documentary Billie Eilish: The World’s A Little Blurry, which tells the coming-of-age story of the singer-songwriter and her rise to global superstardom, was released to critical acclaim (96% fresh on Rotten Tomatoes), recently nominated for four Emmy Awards and is currently eligible for honors in this film awards season. Additional credits include the three-time Critics Choice-nominated BELUSHI, the Oscar-nominated The War Room, the Emmy-nominated A Perfect Candidate, the Sundance Award-winning The September Issue, the Peabody Award-winning Listen to Me Marlon, the Grierson Award-winning Thin, and The World According to Dick Cheney. Cutler has also been a pioneer in the area of non-fiction television, having created such landmark programs as American High (winner of the first Emmy Award for Outstanding Non-Fiction Television Series), Freshman Diaries, 30 Days, and Dear…, which is currently in production on its second season for AppleTV+. Cutler’s scripted work includes conceiving and directing the Emmy-nominated television series Nashville, directing the People’s Choice Award-winning feature film If I Stay, and creating, writing, directing and producing the Webby Award-winning podcast The Oval Office Tapes. Cutler recently launched This Machine, a production company focused on developing and producing documentary projects for film and television.
Critics Choice Association CEO Joey Berlin states, “Throughout his distinguished career, R.J. Cutler has created category-defining films and television series, and we are honored to have him as our recipient of this prestigious award. With his work as a documentarian beginning as a producer of D A Pennebaker and Chris Hegedus’ landmark 1993 film, The War Room, that collaboration serves as a link between generations, and R.J. has continued to honor Penny’s pioneering legacy in the arena of observational cinema, from his directorial debut, A Perfect Candidate, and his docuseries American Highthrough to his latest feature, the coming-of-age portrait of teenage global superstar, Billie Eilish: The World’s a Little Blurry. He also continues to explore other directions in documentary, as with the unique archival films Listen to Me Marlon, which he produced, and last year’s BELUSHI, which he produced and directed.”
He added, “For the sixth year in a row, we look forward to shining the spotlight on the outstanding documentary filmmaking of the year. We continue to highlight the importance and cultural value of documentaries and are thrilled to give the creative filmmakers the recognition and acknowledgment that they deserve.”
Stand-alone and two-part documentaries are eligible for awards consideration. To qualify for consideration, documentaries must have a theatrical or television/streaming premiere between
November 1, 2020 and December 31, 2021.
This year, the Critics Choice Documentary Awards proudly has its first Presenting Sponsor, National Geographic Documentary Films.
Catalyst Sponsors for the Sixth Annual Critics Choice Documentary Awards are HBO Max, Hulu, Netflix, and Showtime.
At the Fifth Annual Critics Choice Documentary Awards, Dick Johnson is Dead took home the CCA’s top award for Best Documentary as well as the Best Director award for Kirsten Johnson.
My Octopus Teacher took home the awards for Best Science and Nature Documentary and Best Cinematography. The film later received many more accolades and awards, including an Academy Award for Best Documentary Feature.
Award Categories at the Sixth Annual Critics Choice Documentary Awards will include:
• Best Documentary Feature
• Best Director
• Best First Documentary Feature
• Best Cinematography
• Best Narration
• Best Score
• Best Editing
• Best Archival Documentary
• Best Political Documentary
• Best Biographical Documentary
• Best Science and Nature Documentary
• Best Sports Documentary
• Best Music Documentary
• Best Documentary Short
• Most Compelling Living Subject Honor
Nomination committee deliberations began on Friday, September 24, with nominations to be announced on Monday, October 18. Winners will be chosen by qualified members of the Critics Choice Association and announced at the sixth annual Critics Choice Documentary Awards gala on November 14, 2021 at BRIC in Brooklyn.
About the Critics Choice Association (CCA)
The Critics Choice Association is the largest critics organization in the United States and Canada, representing almost 500 media critics and entertainment journalists. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the intersection between film, television, and streaming content. For more information, visit: www.CriticsChoice.com.
About the Critics Choice Documentary Awards
The sixth annual awards ceremony will take place Sunday, November 14, 2021 in Brooklyn, New York. The Critics Choice Documentary Awards will be produced by Bob Bain Productions and Berlin Entertainment.
November 1, 2020 through December 31, 2021: Eligibility Period
October 18, 2021: Nominations Announcement
November 14, 2021: Awards Gala
About the Critics Choice Awards
The Critics Choice Documentary Awards are an off-shoot of The Critics Choice Awards, which are bestowed annually by CCA to honor the finest in cinematic and television achievement. Historically, the Critics Choice Awards are the most accurate predictor of the Academy Award nominations.
The Critics Choice Awards ceremony will be held on January 9, 2022 at the Fairmont Century Plaza in Century City, CA and will be broadcast live on The CW.
Contacts
For consideration, please send password-protected digital screening links or site-wide promo code access for forwarding to nominating committee members, to: David Freedman: [email protected]
To request a complete CCA membership list in order to send digital screener links or DVD screeners, please contact: David Freedman: [email protected]
For tickets and table sales, please contact: David Freedman: [email protected]
For talent and bookings, please contact: Carole Propp, Talent Producer: [email protected]
For press inquiries and media accreditation, please contact: Laura Danford Mandel, Publicist: [email protected], 917-848-1460
For sponsorship, please contact: Gary Mezzatesta: [email protected], 323-804-2359
With a very high turnout of 348 members voting, the results of last week’s Critics Choice Association (CCA) Board of Directors election to fill the nine seats on the new Board that begins serving a two-year term on July 1 are in. You have chosen to add four new Board members – Paulette Cohn, Jacqueline Coley, Clayton Davis and Grae Drake – representing unprecedented and sweeping change in CCA leadership, while reelecting five incumbent Board members – Shawn Edwards, Jim Ferguson, Sean O’Connell, Mark Ramsey and Sam Rubin. This healthy mix of new and old radically changes the demographic makeup of the Board, going from one to three women and from one to three BIPOC members, and making it younger.
Eleven other members unsuccessfully sought seats on the Board. All were eminently qualified and would have also brought important strengths and ideas to the Board. I have had good positive conversations with all of them in the past few days and they have generously shared many excellent ideas in those conversations and in the election campaign to improve our organization. These ideas will be taken up at the first meeting of the new Board and we should all be grateful to these members for their contributions to the CCA.
This election was conducted using Google Forms so that votes would be automatically tabulated without any human element involved. When the polls closed on Thursday webmaster Lisa Waters forwarded a screenshot of the results to me. I then shared those results with the current Board, which formally certified them. (Any member wishing to see the screenshot can reach out to Lisa at [email protected].) In the interest of full transparency here are the results:
1. SHAWN EDWARDS (229 votes)
2. JACQUELINE COLEY (184 votes)
3. CLAYTON DAVIS (181 votes)
4. JIM FERGUSON (179 votes)
5. SEAN O’CONNELL (173 votes)
6. SAM RUBIN (173 votes)
7. GRAE DRAKE (172 votes)
8. MARK RAMSEY (171 votes)
9. PAULETTE COHN (149 votes)
10. JENNIFER MERIN (141 votes)
11. TERI HART (139 votes)
12. ED MARTIN (132 votes)
13. LISA JOHNSON MANDELL (129 votes)
14. CARLA RENATA (116 votes)
15. HILLARY ATKIN (103 votes)
16. MARIA ESTEVEZ (91 votes)
17. KATHIA WOODS (90 votes)
18. DAN GUTIERREZ (85 votes)
19. MOSE PERSICO (58 votes)
20. SAMMI TURANO (33 votes)
In keeping with our bylaws, the top nine vote getters will now serve two-year terms on the Board, starting on July 1. Thanks to everyone for participating in this election.
Onward and upward! Joey Berlin CEOCritics Choice Association 9220 Sunset Blvd. Suite 220 Los Angeles, California 90069 (310) 860-2665 (p)
WINNERS ANNOUNCED FOR THE THIRD ANNUAL“CRITICS CHOICE REAL TV AWARDS”
ALEX TREBEK RECEIVES POSTHUMOUSCRITICS CHOICE REAL TV IMPACT AWARD
Netflix Led Networks With Six Wins
Los Angeles (June 21, 2021) – The Critics Choice Association (CCA) and nonfiction producers’ organization NPACT unveiled today the winners of the third annual Critics Choice Real TV Awards, which recognize excellencein nonfiction, unscripted and reality programming across broadcast, cable and streaming platforms.
After a record-breaking near-600 submissions, and a stellar year in reality television, there were three ties among this year’s winner’s pool – “RuPaul’s Drag Race” (VH1) and “The Great British Baking Show” (Netflix) tied for Best Competition Series, “The Masked Singer” (Fox) and “The Voice” (NBC) tied for Best Competition Series: Talent/Variety, and “Diners, Drive-Ins and Dives” (Food Network) and “The Oprah Conversation” (Apple TV+) tied for Best Structured Series. “RuPaul’s Drag Race” (VH1) was the only series to take home multiple awards, also winning for Best Ensemble Cast In An Unscripted Series.
In the fan voted categories, Phil Rosenthal – “Somebody Feed Phil” (Netflix) was awarded Male Star of the Year, while Sandra Lee – “Dr. Pimple Popper” (TLC) was named Female Star of the Year.
Netflix, which led the networks in nominations, also led in wins, with a total of six.
Alex Trebek was honored posthumously with this year’s Impact Award, which recognizes an outstanding individual for career excellence and the positive impact they have made on the world of nonfiction content. Mr. Trebek and his legacy epitomize what the Impact Award was created to honor. His longstanding commitment to the pursuit of excellence, his continual encouragement of curiosity, and his unfailing charm made Mr. Trebek one of television’s most respected and beloved figures. He was an inspiration to the nonfiction community that selected him for this award, and to the vast audience that welcomed him into their daily lives. Alex’s children Matthew and Emily Trebek accepted the award on his behalf, with a heartfelt speech that can be viewed HERE.
Though this year’s ceremony was not held in person due to the ongoing pandemic, special acceptance videos from the winners can be found linked in each category below. To view/download ALL of the acceptance videos, please click HERE.
For the Critics Choice Real TV Awards, Bob Bain and Joey Berlin served as Executive Producers. Michelle Van Kempen was Executive Producer for NPACT.
The Critics Choice Real TV Awards were launched in 2019 when the CCA and NPACT joined forces to create a large-scale awards platform dedicated to giving the robust, ever-evolving unscripted genre critical attention and support. The awards celebrate programming across broadcast, cable and streaming platforms, and also recognize industry leaders with special awards highlighting career achievements.
The Critics Choice Association monitors all awards submissions and selects the nominees in all competitive categories. NPACT leads the selection of non-competitive discretionary awards. A blue-ribbon nominating committee made up of CCA members with expertise in nonfiction, unscripted and reality programming determines the nominees. Winners were chosen by a vote of the TV branch of the CCA membership.
About the Critics Choice Association (CCA)
The Critics Choice Association is the largest critics organization in the United States and Canada, representing close to 500 television, radio and online critics. It was organized in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the blurring of the distinctions between film, television, and streaming content. For more information, visit CriticsChoice.com.
About NPACT
NPACT is the trade association for nonfiction production companies doing business in the U.S. Serving as the voice for the unscripted creative community, NPACT advocates for the advancement of nonfiction production across all genres of unscripted, and provides resources and information to help improve business conditions for its member companies whose programming airs across all linear TV and streaming platforms. For more information visit npact.org.
In keeping with our governing bylaws, voting will open a week from today to determine the nine members of the Critics Choice Association Board of Directors. The voting period will end on June 17 and the results will be announced on June 23.
Below the Statements, there is a comments section where members may post comments about the Board candidates and the election.
HILLARY ATKIN
You know the saying, “I’ve seen this movie before.” None of us have seen this movie before, the one where the Critics Choice Association rises to new levels of influence, prestige and increased exposure to new audiences during this turbulent time in the industry, especially in the wake of the wreckage of the HFPA.
It’s been exciting to watch our organization develop important new programs like the Celebration of Black Cinema, the Documentary Awards, the Super Awards and the Real TV Awards, all of them successful enterprises, spurred on by the efforts of our Board of Directors.
I’ve been privileged to be a CCA member for coming up on a decade now. Throughout that time, I have been actively involved by regularly participating in judging panels for the CCAs and the Documentary Awards and on the marketing and promotion committee run by Shawn Edwards.
Last year, during the depths of the pandemic, I was proud to play a key role in the second outing of the Real TV Awards by bringing on the host, reality TV star NeNe Leakes and writing the script for her. NeNe hosted from Atlanta, where she was then a high-profile Real Housewives cast member. The virtual show, with its pre-taped segments of winners including James Corden, Phil Rosenthal, Ann Curry and Jason Hehir was as good as any of the others done during that time.
As a board member, you can count on me to work hard to build upon what we’ve achieved in recent years, especially highlighting the diversity of our membership. I would remain open to hearing new concepts and ideas from our membership across all channels and platforms as what would possibly best serve them.
Here are several of the ideas I would bring to the boardroom table and work to implement:
Develop corporate and branding partnerships around all of our shows. My idea of the ideal corporate partner is AMC Theaters, the current darling meme stock. I’d also like to see us forge deals with airlines, automakers, hotel chains and other media, like Vanity Fair, one of the entertainment trades and BET, for example.
An idea I conceived during the pandemic in between watching screeners is to further utilize the Critics Choice YouTube channel to showcase work of members, which could even bring in revenue to the organization if certain viewership levels are met. Should we go on TikTok? Perhaps, and we could definitely put more effort into our various social media platforms. One such idea is to run a weekly movie trivia contest on Instagram and/or Twitter, with movie passes, studio tours and posters and the like as the prizes.
Invite the studios and streamers to hold screenings and news conferences just for us. Hey, they did this for the HFPA, whose current demise leaves a huge void that is ripe to fill with such opportunities that benefit our membership and thus serve our viewers, listeners and readers.
The HFPA situation is a whole separate topic that I’m sure most of you would be interested to discuss but I feel like until its recent implosion, we were treated like second-class citizens compared to them, when our group is everything they are not: qualified and diverse. We need to utilize this unique moment in history to up our game.
I would really value the opportunity to be part of the leadership of this organization as a board member and respectfully ask for your vote. Thank you very much – and see you at the movies!
PAULETTE COHN
For those of you who do not know me, I have been a member of the Critics Choice Association for several years now, joining initially as a member of Broadcast Television Journalists Association (BTJA). During that time, I have been an active member, serving as chairman of the Limited Series and Movies nominating committee for the past three years, and also serving as a nomcom member for the Real TV Awards, as well as making sure to publicize the events as much as possible on Parade.com.
I was honored to be invited to run for the Board, and as a Board member, I would be able to expand my efforts on behalf of CCA and help build on the success of the past several years, which has seen the addition of the Real TV Awards, the Documentary Awards and the Super Awards.
The Board could definitely use more women’s voices, but also more members whose specialty is TV, since so many of the current members come from the film side. You could count on me to work hard to expand the goals of the organization and look for new ideas and ways to increase our esteem as a group.
We also need vision for the future to help grow a strong but also respected organization. We are off to a good start with our close to 500 diverse members, and now may be the time to get more recognition for the Critic Choice Awards, which have more substance to them than the Golden Globes. Out voting membership is larger, more respected, more thoughtful, and more diverse, so this could be the time for a step up.
If elected to our Board of Directors, I will bring with me my 20-years of experience writing extensively on the entertainment industry, covering TV and films for Parade.com, Monsters & Critics, FOX411, Biography.com, TV Insider, Paste, ETonline, and more. Much of my time has been spent freelance, so I have also had to develop a sense for business as well.
Prior to that, I worked as a publicist at independent PR firms representing film and TV clients, and spent five years as the publicist for Days of our Lives, even co-authoring Cooking with Days of our Lives. My experience as a publicist will be of benefit as a Board member in the CCA’s coordination with networks, studios, and independent publicists as I understand how they think!
In closing, if you vote for me, I will do my best to live up to the endorsement from Joey Berlin, Ed Martin and the current Board members, who saw fit to back my nomination.
JACQUELINE COLEY
As Jay-z would say, allow me to re-introduce myself. My name is Jacqueline Coley, and I would like to take a moment to ask for your support in my candidacy as a new Board member with the Critics Choice Association. I hope many of you have seen me before at various press events or film festivals, perhaps you saw me in our Celebration of Black Cinema, or maybe you have read my work at Rotten Tomatoes. However, if you are unfamiliar with me, let me take a moment to give you some background and career highpoints and what you can expect from me if voted on to the Board. Though a relatively new CCA member, I have been working as a professional journalist for several years. As many of you have been working journalists for decades, this may seem a short period of time, but it is not a boast to say though I joined this profession a bit late, I have made the most of it in just a few years.
After I began work with Rotten Tomatoes in 2017, I have worked diligently to carve out space for myself and the brand in avenues previously unexplored despite its more than 20-year history. I made the commitment and spearheaded our awards coverage, and in just a few years, our profile and accomplishments in that space have risen to new heights. The heights I have achieved at RT include moderating for the Academy (AMPAS), SAG, and American Cinematheque FYC presentations as well as site partnerships with all of the major studios and PR agencies and, of course, my membership in the CCA. This all is in addition to attending premiere film festivals, regular appearances on Access Hollywood, Today, E!, Sky Cinema, and the BBC, just to name a few. The celebration of storytelling has always been my passion, and I’m eternally grateful that that passion and general obsessive nerdiness has allowed me to do these incredible things and carve out my niche as a new voice in entertainment journalism. You may be asking, “What could you expect from me as a Board member?”. My hopes for what I can do on the CCA board break down into three main tenets: Commitment, Integrity, and Innovation.
First, if the membership selects me to be a board member, I will commit to raising our profile and standard of excellence in any way possible. Everything I am a part of I commit to fully, and I will be an advocate and advisor to anyone who asks. The second thing you can expect is integrity. Integrity in my work is a given, but more so, it is a part of who I strive to be in all walks of life. Maybe it is my Southern upbringing or just how I keep my peace of mind, but I will always be honest. I may not be able to acquiesce to every request but rest assured my word is my bond, and I will not compromise that for anyone. Finally, if you vote me in as a CCA Board member, you can expect innovation. In my previous career, I was a Tech Project Manager and those years gave me a skill set not often seen in our profession. My ability to work creatively with an eye for business has always served me well, and I will look to bring those skills to the CCA. Using my connections and business acumen, I will always strive to find a new avenue, and I will never accept the status quo. Thank you for taking the time to learn a bit about me and why I think I would be a stellar addition to the CCA Board. In the end, I just fervently hope to live up to the endorsement Joey and the current Board members bestowed upon me and make you all proud.
Best Wishes and Regards, Jacqueline
CLAYTON DAVIS
Hollywood and media are changing. We’ve been witnessing that trend for more than two decades. As an outspoken and passionate advocate for diversity and representation, one of my goals has been to continuously combat the old school mindset that see opportunity as “tokenism.”
As a fierce advocate, I have often used the metaphor of a baseball game: we’re not asking for an automatic win of the game because we’re minorities. We’re asking for that same opportunity to go up to bat that everyone else receives. If I strike out, hit multiple foul balls, or ground out to first, that’s on us. We just want a chance to see if we can hit a homerun.
I have been a member of the Critics Choice Association since 2011. This year will mark a decade of my membership and I’ve been grateful for the opportunity and recognition. While CCA has brought about wonderful moments and memories, there are still too often blunders and easy wins that could be orchestrated with a couple of fresh perspectives.
I believe in democracy. I believe in fairness. I believe paying your dues. While I appreciate the sentiment that the CCA Board has shown in a need for more diverse voices, the method of appointment now, vote later goes against the very fabric of the argument I have made throughout my career against bigoted, close-minded people who have been in power in this industry for far too long.
Only after the HFPA started to go down in a blaze of shame, did the Board decide to poll the membership to get a sense of our makeup. This is a year of opportunity for the CCA to take the mantle that the Golden Globes have held for no good reason for 78 years, but we must do it with thoughtful, and sincere actions. The Board must be transparent in its decisions and voting practices. CCA has been long scrutinized for being a “predictor” for the Academy Awards, and I have found myself defending the integrity of not just the organization, but my own as one of its members. That shouldn’t be the case. We should all be proud for what we do and how we do it. Transparency is of the utmost importance. I want to bring that sense of pride to the CCA.
I’m not here for cultural wallpaper for the organization. I’m here to work, to reform, to advocate for change. That’s why I want to be part of the board. I want to work with all the board members, have them learn from all members’ experiences, and how we can better engage our community.
That’s why I’m running. I’m the Film Awards Editor at Variety, and see the inner workings of studio executives, publicists, and industry professional’s day after day. We all have to ready to take this mantle, but we need the full trust of everyone to do it.
GRAE DRAKE
My fellow critics–it’s been an honor to spend time with you on set, in hotel hallways, and in sparkly gowns eating froYo for almost the last decade. I am beyond excited to throw my (pink?) hat in the ring for a position as board member in one of the most respected professional groups of film and TV lovers the industry has to offer.
I am the former Senior Editor of Rotten Tomatoes and was also Miss Moviefone, and currently can be seen on Los Angeles Fox 11 and heard on radio stations across the country. I started my career in podcasting, which makes the whole of my experience uniquely broadcast and digitally minded, which I have found useful in this ever-changing media landscape.
I am very passionate about amplifying the CCA’s voice as a year-round resource for entertainment lovers. I believe with a concerted effort to ramp up our social media presence, share our vast expertise and spotlight our impressive membership, as well as continue to foster critical voices of the future, we will create a conversation that engages a larger audience.
In the short term, every week, we can offer recommendations, share our phenomenal members’ content, and share our profiles to give people all over the world a sense of familiarity and affinity for our group. With everyone’s support and shares, think how far each post would reach!
In the long term, it’s imperative we continue our scholarship program and inspire and support our future members. For existing members, I’d love to see more exclusive CCA events with talent and creators, as well as educational offerings so we can round out our skill sets.
We’re like the bundle of sticks in “The Straight Story”–much stronger together than apart. With your support, I would be honored to bring my experience and passion to the board to help share our organizations’ love of entertainment with a wider audience.
SHAWN EDWARDS
I am proud to have served on the board the past two years. It has been an honor, a privilege and a pleasure. Being on the board has allowed me to continue to push for diversity and inclusion not only with the membership but with the organization’s programming and award recognition. I began this push long before I was appointed to the board. As a 20 year member of the organization I have continually worked to make the CCA better. I am extremely proud of the work I have done as the head of the Marketing and Promotions committee. Working with the extremely talented and dedicated members of the committee has been a thrill. We’ve been able to bring ideas to life to help promote various CCA programming — sometimes without a budget. I look forward to serving another two-years on the board as I help to cultivate our growing existing events, create new ideas which will expand the organization’s footprint and continue to ensure that our membership reflects the population at large. Thanks for your consideration.
MARÍA ESTÉVEZ
My name is María Estévez, correspondent for Metro in Los Angeles, and I’m very excited to run for a seat on the Board in the Critics Choice Association.
Born in Madrid, Spain, and a former resident of London, New York, Mexico and, for the past 17 years, Los Angeles, I earned my Bachelor’s Degree from the University Complutense in Madrid in Communications and received my MFA from the UNED (Universidad a Distancia)
I have published two novels, with a third coming later this year, and as a journalist have attended major film festivals, TV events and award ceremonies. In doing so, I have seen, first-hand, how latinx journalists must probe harder, working in two languages to excel in our field. If elected, I hope to work with the board to bring a greater voice to latinx journalists as well as the latinx community.
Our current President, Joey Berlin, has done an outstanding job and I hope to learn from him as well as current board members. Among my priorities will be increasing development opportunities for the Latinx community within the BFCA while also promoting Latinx projects. I currently host a Spanish-language podcast through which I frequently interact with actors, producers, executives, administration, and represent the industry at several events (presentations, premieres). As such, it has afforded me behind-the-scenes experience that I feel qualifies me for the position.
Currently I serve as a judge for the annual writing competition in Spanish of the California Union of Public Schools, and have years of leadership/service experience. In addition, I am familiar with the departments of the Instituto Cervantes where I worked in New York and have worked with the Office for Institutional Equity and Diversity (OIED).
Thank you for your consideration, and I look forward to working with you in the future.
If elected, I will serve in this position to the best of my ability.
María Estevez @mariateAm +1 8186457248
JIM FERGUSON
As an original BFCA Board member, I sincerely hope to continue using my experience serving as a member of the CCA Board of Directors.
There are many reasons why I am proud of the accomplishments that I have shared and seen with this Board and with Joey Berlin as President and John DeSimo as Vice President. With Joey’s guidance we have continued to grow in many ways, such as, adding several significant Award Shows, along with our very successful CCA Awards.
Of course, Joey and the Board have always placed the best interest of our membership first.
I also want to make a point of how much I have enjoyed contacting every member directly in the weeks leading up to the CCA to encourage their promotion of our big show over the years. One of my Board roles that meant a great deal to me was being the eyes and ears on the junket circuit, which became an important part of the careers of many of our members. I’m hoping this will continue in the near future.
Finally, there is so much more to the CCA that I am proud of such as our many contributions to various charities. With our student scholarship program, which Sara Voorhees has spent many years helping young student critics, and our support and contributions to many Film Festivals throughout the country, it’s easy to understand why I want to continue using my experience supporting Joey, the Board, and the entire CCA.
It was not long after the BFCA first Board of Directors were assembled that we started to discuss and make recommendations for new Board members. One of the best decisions I ever made was to highly recommend a young critic from Albuquerque N.M., Sara Voorhees, who we all know and respect. Sara and I have worked together on the Board as a team for many years.
While on the junket circuit I made friends with several critics from Canada, like Bonnie Laufer, Mose Persico, Terry Milligan, and a special mention to Anne Brodie, who Did a remarkable job of Chairing a BFCA Film Festival Committee, which I was assigned to oversee. Thanks to Annie’s hard work, that committee was extremely successful. Historically, and personally one of my best actions as a Board member was to make a Motion to allow Canadian critics to become full Members of the BFCA. Therefore, I more than welcome my Canadian friends who are running in this years election and I thank them for toasting me and making me an honorary Canadian.
Thank You, Jim Ferguson
DAN GUTIERREZ
My name is Dan Gutierrez; I would like to be considered for the Broadcast Film Critics Association board. I will bring to the table my extensive experience in radio, television, print, new media, and social media that could help guide this organization into a modern world. I am not saying the organization is doing anything wrong; I feel technology and new media can help grow our organization into something bigger and reach more people globally.
Since I’ve been a member of the BFCA (10 years), I have noticed we have been overlooking the usage of our social media accounts. Here’s a quick reminder of how powerful we are, and I believe we can only go up from here. The Critics Choice Awards Facebook page has over 111,000 followers. The Critics Choice Instagram page has over 92,000 followers. The Critics Choice Twitter account has over 90,000 followers. These numbers sound significant, but it’s nothing compared to the collective of our entire membership’s following. Yet, this number is much more significant than the ratings of a mid-market news program. As for members, I bet we have a few who have followings that can easily trump the numbers of the CCA social media accounts alone.
If elected, my goal is to put these platforms and the many more platforms we don’t have a presence on (Twitch, Tik-Tok, etc.) into the hands of our celebrities. No, I don’t mean the stars we celebrate for our annual award show. I mean the celebrities that make up the membership of the Broadcast Film Critics Association. Yes, I feel we have forgotten that our members are celebrities in their own right. Each week they go on their local TV, Radio, or other platform stations and do what they do best, broadcast. Many have also garnered a social media following that makes them social media influencers within their communities. I believe we should be utilizing their talents right here on our very own social media channels. We have the talent at our fingertips; why aren’t we using it? I would like to see us program our social media accounts, much like a TV producer would program a television network. I believe our members would be willing to produce content for this audience if given the opportunity.
Just imagine the CCA website and social media pages being the hub for movie critics from across the country to highlight the best content they’re already producing or have produced for our sites. During covid, I have noticed organizations or individuals going live and using their platforms to entertain their social media audiences instead of just advertising their products. We can do the same, if not better. Scroll through the current Social Media pages of CCA, and you’ll see a majority of the content is either promotional or advertising. The content is not very engaging or entertaining, it gets the job done, and that’s it. Unfortunately, that’s a pitfall many businesses do. But we’re better than that. I know our members can produce a scope of content that our following would love. Our sites can host anything from highly polished full-length programs, short segments, one-minute rants, comedy bits, interviews with A-list to unknown celebrities, informal live chats, video podcasts, and much more. These segments can be programed, weekly, daily, monthly, or one-off. The benefit of social media is that our members can decide to do their featured piece live or schedule something fully produced. If it’s a requirement for our members to be broadcast professionals, why don’t we have the confidence to utilize these talents on our platforms? Members should be able to provide content to our pages, and in return, they will get the promotion right back to the member’s projects, podcasts, social media accounts, programs, etc. Then the member will be encouraged to promote their segments on their own social media accounts and platforms to promote their feature on our sites. Thus a relationship between members and CCA pages will only cause a snowball effect; CCA social media accounts will garner more followers. The featured BFCA member who provided content to our social media accounts will also grow. As promotion will go both ways.
This idea is only the tip of the iceberg of ideas I have for the CCA. Here’s a quick rundown of other suggestions I have; supply CCA marketing materials to members so they can air these spots during clearance and unsold inventory locations on their stations or platforms to help promote our award shows. Constantly providing video packages, b-roll, interviews, and media tools for members to produce their packages for their platforms. Increased communications between studios and members for screenings, interviews, PR releases, and giveaways for the member’s stations/platforms. Scheduling BFCA member-only satellite media tours with PR firms so BFCA members can get exclusive interviews for their platforms. Creating mentorship programs between veterans and newer members for guidance and support. Idea or content pooling for content creation between members in markets that don’t have as much access to content and members that have an overflow. Ways for members to utilize other members as special guests in their markets on their platforms or podcasts. Encouraging cross-promotions between broadcasters within their market on different mediums (i.e., radio to tv) or promotions between BFCA members in different markets. Production resources, training, or workshops so broadcasters can understand other broadcast mediums or enhance their knowledge. Corporate networking for job enhancement, announcements, and market needs, and much more.
If I become a board member, I will always keep my eyes open and ears to the ground for any new social media platforms, apps, formats, and technologies to help keep the BFCA aligned with trends and a much larger audience. I will also do my best to encourage innovative ways to enhance CCA’s marketing endeavors to support their award shows, social media, and promoting its members. Finally, find ways to strengthen the network and communication between members and studios to help the Broadcast Film Critics become better broadcasters.
TERI HART
HI, I’m Teri Hart and I’m thrilled to be running for a seat on the board of the Critics Choice Association. Our organization currently sits at 479 members, close to 500 people, who not only have the best jobs in the world but also help shape pop culture and influence the financial success of movies and tv shows throughout North America. During my tenure as a member of the CCA there has never been a more exciting time to make an impact on our industry. Studios, publicists and talent have said loud and clear that they don’t want to work with the HFPA, for a variety of reasons. Now is the time to prove to our partners that we, the Critics Choice Association, is who they should work with because we embrace and champion diversity, transparency and integrity.
I have been in the business for over 25 years as a critic and pop culture correspondent in Canadian TV and radio. I have incredibly strong relationships with all of the broadcasters in Canada and I have already been working with Joey to secure a Canadian broadcaster for the Critics Choice Awards. My longevity and connections are a result of hard work, strong relationships and understanding the business of show, all qualities that would make me a valuable addition to the board of the Critics Choice Association. Our relationship with our viewers and listeners is based on trust, a value I hold near and dear. I hope you trust me to help shepherd in a new dawn for our organization that is reflective of the changes in our industry.
LISA JOHNSON MANDELL
Opportunity.
That’s the key word in in the CCA timeline, and I’m all over it.
Opportunity to further diversify our membership and leadership so they more accurately reflect who we truly are.
Opportunity to step into a new level of visibility and accountability, with a real shot at filling the void left in the wake of the Golden Globes debacle.
Opportunity to update and enrich our organization with initiatives like greatly enhanced social media outreach and the creation of a riveting podcast. Also to increase member benefits and mandate consistent, informative messaging from leadership, so that members can choose their ongoing involvement. Your voice needs to be heard!
Opportunity to strengthen and enrich the TV branch by allowing more qualified members of the Film branch to join. Why? Because as one of the original, devoted members of the TV branch and as a leader in the nominations process, I know that the expertise of those film critics who also cover TV is a great asset.
Many of you know me as an advocate for the inclusion of a diverse and talented professional base. I’ve recruited numerous members who have made positive contributions and reflect the diversity of our organization.
As a 16-year member, I’ve consistently presented feedback from many of you, conveying your needs, opinions and contributions to the leadership.
I’ve taken advantage of opportunities to promote the CCA on USC panels and numerous industry events, going to great lengths to strengthen CCA relationships with studios, press, publicists, sponsors, talent, members and the public in general.
We now have the opportunity to propel the CCA to new levels of visibility, recognition and stature. To do that, we’ll need energetic board members who are tuned in to the dramatic cultural and digital landscape. And who won’t be afraid to advocate for a bold agenda.
You have the opportunity to vote for nine board members. I encourage you to vote for me and the other candidates who accurately reflect who we are, and who fearlessly support what we can become.
Hello everyone. As many of you know, I have been a member of the Critics Choice Association since 2012. I became Chair of the Limited Series and TV Movies NomCom immediately after joining and was invited to participate in the Comedy and Drama committees, as well. I continued to Chair committees and participate for several years.
In 2017 I was asked by Joey Berlin and John De Simio to expand my role at CCA by taking on the newly created position of President of the TV Branch. I was subsequently reelected and two years after that I was nominated for a position on the Board which I have held until now.
During that time, I have also been involved with the creation and launch of the Critics Choice Real TV Awards and the Critics Choice Super Awards. I have continued to oversee the organizing of all CCA TV-related NomComs and the execution of all nominee debates for all three events. Throughout, I have identified qualified critics and journalists who specialize in television content and have invited them to join our organization.
In tandem with the current Board, I have been involved in all business decisions for CCA, including the recent decisions to add additional members to the Board, to expand our scope into the international film and television area and to explore new ways of expanding the Critics Choice brand.
I hope to continue doing all of the above, and more, as a member of the Board.
Thank you.
JENNIFER MERIN
Greetings Esteemed CCA Colleagues,
I’m very happy to see the CCA Board of Directors nomination and election process opened up for new candidates. This is an opportunity for our organization’s leadership to embrace fresh ideas and for all of us to benefit from the recognition of the diverse perspectives and wide range of expertise represented in our membership.
As we enter the upcoming two year term for those elected to serve as Board members, CCA has extraordinary opportunities to attain even greater success and recognition for our awards shows and our cinema celebrations. However, in the wake of the HFPA implosion, our influential organization also faces challenges, pressing demands and close scrutiny that we show greater diversity and inclusivity in CCA’s leadership and membership.
Joey and John have clearly articulated these goals, and I heartily endorse their intentions — especially with regard to the addition of three women to the Board of Directors to fill two newly created Board seats, and the seat that Sara is vacating after years of honorable and highly appreciated service.
I’d like to point out that the membership-wide open election — or, if the current Board’s pre-election endorsements — of three women candidates prevails, the Board will still have a huge gender disparity of twice as many men as there are women. This is the time to change that. This open election can and should achieve results that better serve our constituent membership and present a better CCA image not only to the rapidly evolving entertainment industry, but also to the CCA membership’s wide and varied audiences.
With that in mind, I’d like to announce my candidacy for a seat on the Board. If elected, I will bring unique and valuable assets to my service to our organization.
As a proactive CCA member, I have worked closely with Joey. John, David Freedman and Chris Campbell to establish, structure and garner recognition for the Documentary Awards show, adding to the shows success and stature by getting documentary luminaries to attend the live events when they were staged in Brooklyn.
I have served as Chair, co-Chair and ‘pod’ leader on the nominating committees for the Documentary Awards and Reality Awards shows. (Please note that mention here of my nomcomm participation is strictly confidential to voting CCA members, as nomcomm members are mandated to remain anonymous to the world at large, and I abide by that rule).
I have had very positive and productive discussions with Joey about establishing a ‘CCA Celebrates Women in Film’ event (similar to our Celebration of Black Cinema event) and will work on that project to make it a reality.
Additionally, as you may know, parallel to my membership in CCA, as president of the Alliance of Women Film Journalists, I have for the past 15 years grown AWFJ into an influential force — one that has been fundamental to initiating the current movement towards gender parity, diversity and inclusion. I built and continue to helm AWFJ.org, which is an ongoing, highly esteemed and sought after media platform that amplifies the recognition of women film critics and women filmmakers. Under my leadership, AWFJ is about to launch our online screening series, AWFJ Presents, boosting female-directed films and amplifying the voices of female critics who’ve served as AWFJ Presents curators.
I can proudly report that 31 currently active 93 AWFJ members are also members of the CCA and another 14 women film critics who are currently CCA members previously benefited from AWFJ affiliation.
The CCA Documentary show, our Reality show and the recognition of diverse women film critics and filmmakers are three of CCA’s major current and ongoing endeavors with which I have direct and effective experience. If elected to our Board of Directors, I will bring that experience to my service to the CCA and to all of you. In seeking your vote, I promise that if elected, I will energetically and loyally serve the CCA and will always be open to members’ suggestions.
Thank you for reading my candidate’s statement and for your consideration. If you have any questions or concerns, please contact me. And, please vote for me to be a member of the CCA Board of Directors.
My name is Sean O’Connell. I’m the Managing Editor for CinemaBlend, and a proud CCA Board Member since 2007.
Since 2007, I have worked beyond my membership and sought ways to actively enhance the Broadcast Film Critics Association’s standing in the film community, increasing our impact in the realm of film criticism. My role at the BFCA started as a founding member of the organization’s Film Festival Committee (alongside Jim Ferguson), but I quickly found a strong niche as a Content Producer and social media manager for the BFCA’s official Website (back when it went by the name ReelRave, and hosted several review and interview clips that many of you submitted for us to use… thank you!) Over the years, I managed CriticsChoice.com with Webmaster Lisa Waters, populated the titles that were part of our Weekly Voting system, and built the forums that members used to track screeners each Awards season.
There’s a good chance that our paths crossed if you volunteered to help me in our extensive social media efforts at the Critics Choice Awards program. Thanks to the gracious contributions of countless CCA members, I have been able to lead the social media coverage on the red carpet, on the awards-show floor, and backstage from the CCAs, increasing the show’s reach and boosting our exposure by sharing exclusive photos and videos with audience members watching from home — factors that helped to secure an extended deal with our network partners.
This past year, at Joey Berlin’s urging, I stepped up and assumed a leadership role for our inaugural SUPER Awards, which were focused on films from popular genres including Animation, Horror, Sci-Fi and Superhero movies. This included running point on the various nomination committees (thank you ALL who volunteered to run a NomCom, or serve on one), as well as working with studios to make sure their eligible films were properly considered. It’s my hope that the SUPER Awards continue to evolve in years to come.
In the four years I have served on the CCA Board, I’ve also worked closely with Sara Voorhees and Mark Ramsey to fine tune the current metrics used to measure potential members from the Digital and New Media space, helping the CCA to recognize and attract viable candidates who conduct reviews on Websites, podcasts and large YouTube channels. I think it’s extremely important that CCA continues to monitor and grow this next generation of film critics who are using cutting-edge channels to reach larger audiences, keeping our organization relevant as our industry explores new directions. I’d like to continue being the voice on the Board for online press, while also increasing and improving on the work we’ve done regarding social media exposure around the annual CCAs.
MOSE PERSICO
Greetings from Montreal, Canada!
Dear CCA Board of Directors,
I have received several emails from Members of the CCA nominating me to serve on your Board of Directors.
Needless to say, I was humbled by these emails. It was nice to know that thru the years, some Members have taken notice of my skills and professionalism.
Therefore, I would like to declare myself as a candidate for Membership towards your Board of Directors.
Briefly, I have been a BFCA/ CCA full time member for 30 years now. I guess this classifies me as one of the Founders of our great organization.
What I would love to bring to The Board and the CCA Membership is a concerted effort to get out Award shows broadcast on Canadian television. It’s time for our organization to sign a Canadian simulcast Broadcast rights Agreement with one of the major networks here in Canada.
In addition to being an on air personality and Reporter for my station, CTV MONTREAL for 37 years and counting, I have also served as Executive Producer for several prime time radio and television shows which were produced here in our city. This experience has given me ample knowledge in dealing with Corporate sponsorships, Network Executives and ofcourse a complete understanding of what makes a great radio and television show.
I welcome the opportunity of joining our Board of Directors. Respect, Honesty, Dignity, Family and yes, plenty of humor, are words that make up my modus operandi!
Thank-you
Sincerely, Mose Persico.
MARK RAMSEY
Serving on the board of directors of CCA has been a genuine highlight of my life. The opportunity to help build this organization and advance the goals of its members has been a call to service and an enormous pleasure for which I shall always be grateful.
When I began reviewing movies it was the Wild West of the Internet. My platform was a movie satire site that began with no readers and organically grew to capture the attention of thousands of subscribers and many of America’s best known critics, including the late legends Joel Siegel (who was always quick to generously debate my point of view) and Roger Ebert, who selected my site as one of the top 20 movie review sites on the web at the time, #2 in the category he called “Online Outlaws” (behind the notorious Harry Knowles).
That led to my introduction to a very young Broadcast Film Critics Association and its almost-as-young leader, Joey Berlin.
From the beginning I took an active interest in generating and executing new ideas for what is now CCA and working with the organization to thoughtfully advise on strategy.
The initiative to merge the TV and movie shows into one was something I strongly lobbied for.
The recent introduction of the SUPER Awards came directly from my initial outline.
I was central in bringing our webmaster, Lisa Waters, to CCA and have been working with her closely on digital matters from the beginning of her run to the present. That includes all versions of the website – plus a revamp that is coming in 2022.
I have counseled the board on a wide variety of strategic matters.
I worked closely with our membership team to develop digital standards for new members, a critical process that helps maintain the quality and the prestige of the CCA as we grow.
I have worked with David Freedman to develop a digital-only CCA video series which will launch in 2022.
Until the recent expansion of the board, I was the only board member with regular experience in radio, digital, blog, and podcasting.
I have launched and moderated discussion threads at awards show time and handled any member issues surrounding that process.
In podcasting specifically, I have created, written, narrated and/or produced some of the most popular movie-oriented podcasts in the history of the medium. The INSIDE series for Wondery (Inside JAWS, Inside Psycho, Inside The Exorcist, Inside Star Wars) debuted in the top 10 overall at Apple Podcasts, and several series peaked at #2. Right now I’m producing a series with David Arquette and have a scripted series launching this summer on iHeartRadio that stars David Harbour, Jeffrey Dean Morgan, and Sarah Wayne Callies. With millions of downloads, I’m proud to bring an unparalleled level of podcasting expertise to CCA.
So what about the future?
The future means more CCA awards show spinoffs aimed at more important niches in the film and TV space. Those must be conceptualized, developed, monetized, published, publicized, and perhaps even aired on broadcast and/or digital.
The future means more CCA members and more communal influence throughout the world of entertainment thanks to continued high membership standards.
The future means more digital-first initiatives from CCA and its members to keep our brand and our shows and our members top-of-mind no matter what season of the year we’re in. What will our digital video series be? What about podcasts? Those are on the drawing board now.
The future means a higher profile for the CCA brand and, I hope, a new name for the award itself.
All in all, I am very proud to be a long-time member of CCA and an almost-as-long-time member of the CCA board.
Thanks for your ongoing support. I will always give you my best as the universe of entertainment continues to evolve and transform. Nothing is more important than staying up with those trends and, where possible, getting ahead of them.
Today, the CCA has the opportunity to become the organization HFPA never was and produce the show the Golden Globes never will be again. I couldn’t be more excited about the challenges that await.
Thanks for your ongoing trust and support.
CARLA RENATA
Those who know me can tell you – I say what I mean and I mean what I say, so let’s get right into it shall we? I’m Carla Renata aka The Curvy Film Critic shooting my shot in hopes of becoming your most esteemed and honored Board member for the Critic’s Choice Association.
For me, it’s a simple explanation. Cinema is like a painting which thousands view, yet, will interpret it a million different ways making each perspective unique. I thrive at being unique as
it is that perspective allowing me to navigate within a variety of lanes becoming a cherished, respected and trusted member of our cinematic family, while opening up plethora of possibilities regarding the manner in which cinema was being discussed, reviewed and distributed within our community.
As a graduate of Howard University, my vital relevance and passion regarding all aspects of filmmaking has presented opportunities to write for Variety, Ebert.com, EUR Web, Shadow and Act and voice my opinion on platforms like Turner Classic Movies, NPR, Good Day LA, KTLA 5, Fox 11 LA, Film Independent, Bentonville Film Festival, American Cinematheque and more.
Being a former corporate and entertainment publicist provides an insight most journalists are not privy to. Just like an athlete garners an insider knowledge commentating on a game, my years of acting on screen and stage gives me an extremely unique perspective into performances that no other board member can attest to.
Plus, we can always use some curves to round out the rough edges by using my numerous insider connections with talent and producers above and below the line. Coupled with years as a fresh voice in digital journalism, it is my intention to inject a plethora of ideas providing CCA with a majorly deserved presence year-round and not just when the Academy Awards become the center of attention. Yes, it will require hard work, dedication and a Teflon spirit for all those times we don’t prevail. However, it is through those moments that growth and strength are tested and polished. Here’s hoping that a good portion of the membership will take a chance on a sista’ to assist in accomplishing exactly that.
SAM RUBIN
I have been a very active member of the “Critics Choice Association” board of directors and would like to continue my advocacy on your behalf.
In 2021 I was personally able to secure broadcast dates on top TV stations all across the country for our “Celebration of Black Cinema.” In the case of the Celebration of Black Cinema, the idea originated from another Critics Choice Association member, Shawn Edwards; but through my connections and experience; I was able to help take his idea to the next level, to the benefit of our entire group. I have worked very hard to make sure that all Critics Choice Association members who want to broadcast live in advance of our big annual “Critics Choice Awards” are able to do so. I have also originated and implemented our fantastic “night before” event, which will return in 2022. These are wonderful and important jobs that we have, and as cliche as it may sound, we are definitely stronger together. I intend to work hard on the return of “in-person” junkets, and improving our relationships with streaming services. More than ever our most important mission, curation, really matters. Audiences are overwhelmed with new material from everywhere and look to our expertise to help them sort out the countless choices. I know how much our audiences value what we do, it is also important to make sure our employers value what we do too. I appreciate your support.
SAMMI TURANO
Hello, my name is Sammi Turano and I am the owner and editor in chief of TVGrapevine. I have been a member of the CCA since 2012 and served on several committees for the Real Awards, Critics Choice Awards and more. I would like to submit my personal statement to be a part of the Board.
I am a 37 year old woman who has been working in the journalism field for the past thirteen years. It was a long, tough road, but one filled with hard work and determination. I came from humble beginnings, and am slowly but surely working my way to the next level of my career.
Being on the Board would be an incredible honor because I not only represent the women in the field, but I also represent the underdogs who have worked hard to get to where they are today. We all have different stories, and I think mine is one of inspiration and hope.
I hope you will consider me for a position on your Board and I look forward to working with you!
Sammi Turano Owner of TVGrapevine and Football in High Heels Host of Grapevine in High Heels With Sammi on Facebook Live and YouTube Alt email: [email protected]
KATHIA WOODS
My name is Kathia Woods, and I’m running for a position on the Board of Directors.
I’ve been covering the entertainment industry for over ten years. I started in this field before the internet, when hip hop was still in its infancy, covering it. Due to financial constraints, I took a regular job but continued to write on the side.
I began covering movies and television six years ago by chance. I’m running because there’s a lot of discussion about diversity, but our Board doesn’t reflect that. The presence of two African Americans does not scream true diversity. Having women on the Board is similar, but it does not solve the issue of representation. The other issue is that our industry is evolving. Full-time art and entertainment jobs are hard to come by, and when they do, it’s not for people of color. Our industry is thriving thanks to entrepreneurship, or small to medium-sized websites that have sprung up to fill the need. These websites frequently feature marginalized people, such as me. I established my website eight years ago because I was fed up with advocating for Black/Latinx talent and pleading for our stories to be shared. It’s not easy work, but it’s allowed me to tell many stories that might otherwise have gone unheard.
In terms of leadership experience, I’ve been running my site for eight years, and we’ve grown from a few hundred visitors to 52K last month. I’m pleased to report that our audience is multinational, which corresponds to my professional history. I previously worked as a Bank Manager in a regional office where I managed a team of 25 people and generated $2 million in monthly deposits. At Vanguard (Business Development) and Bank of NY Mellon (Retirement), I also oversaw multimillion-dollar accounts. After assisting my clients through the 2008 financial crisis, I have demonstrated my ability to lead and handle crises.
Critics’ Choice is expanding its membership and expanding internationally; nonetheless, several ethnicities are lacking from the Board. Many of the members are also multifaceted. Their identities are intertwined. For example, I am Afro-Latina. Even though we are America’s fastest-growing community, this group has never had a Latinx board member.
Members of color, the majority of whom are freelancers, confront unique challenges, and many lack the support they require at various sources.
Diversity isn’t simply about filling quotas; it’s also about acting. We have the members, so there’s no reason why we shouldn’t have more individuals of color on the Board, to bring the organization into the modern era. I recognize that for this organization to thrive, we must do a better job of recruiting younger members and aiding young people who want to be mentored into this field.
Because of my atypical experience, I am more aware of the requirements of many of our new members face than of the incumbent Board members who have spent more than a decade working in traditional venues.
I’d like to see us improve our communication with the membership.
Our industry is already being tested, and we will no longer be able to do the bare minimum after the events of 2020.
I’ve only been a member of CCA for two years, but throughout that time I’ve assisted with the nomination of CCA Documentary Awards and Super Awards. At our most recent in-person awards show, I also worked the red carpet/green room for CCA social media.
I’ve been the coordinator of AAFCA roundtables for over a year as an AAFCA member. I’ll fight as hard for each member as I do for myself and those who look like me. I’m passionate about our group and believe we have a chance to create the change that our business so desperately needs.
If you have any questions, please don’t hesitate to contact me.
“RUPAUL’S DRAG RACE” LEADS THIRD ANNUAL“CRITICS CHOICE REAL TV AWARDS” NOMINATIONS WITH FIVE POSSIBLE WINS
ALEX TREBEK TO RECEIVE POSTHUMOUSCRITICS CHOICE REAL TV IMPACT AWARD
Netflix Leads Networks With 22 Nods
Critics Choice Real TV Awards Winners to be Announced on Monday, June 21
Los Angeles (June 2, 2021) – The Critics Choice Association (CCA) and nonfiction producers’ organization NPACT unveiled today the nominees for the third annual Critics Choice Real TV Awards, which recognize excellence in nonfiction, unscripted and reality programming across broadcast, cable and streaming platforms.
Alex Trebek will be honored posthumously with this year’s Impact Award, which recognizes an outstanding individual for career excellence and the positive impact they have made on the world of nonfiction content. Mr. Trebek and his legacy epitomize what the Impact Award was created to honor. His longstanding commitment to the pursuit of excellence, his continual encouragement of curiosity, and his unfailing charm made Mr. Trebek one of television’s most respected and beloved figures. He was an inspiration to the nonfiction community that selected him for this award, and to the vast audience that welcomed him into their daily lives.
All Critics Choice Real TV Awards winners will be celebrated via a special press release and announcement on Monday, June 21. Winners in two categories – Female Star of the Year and Male Star of the Year – will be chosen by fan voting, which is now open at criticschoice.com.
After a record-breaking near-600 submissions, and a stellar year in reality television, “RuPaul’s Drag Race” (VH1) once again had a very strong showing, racking up nominations for Best Competition Series, Best Ensemble Cast In An Unscripted Series, Female Star of the Year for Michelle Visage, and two for RuPaul himself – Best Show Host and Male Star of the Year. Several other programs received multiple nominations, notably “Queer Eye” (Netflix), “Stanley Tucci: Searching For Italy” (CNN), “Taste the Nation with Padma Lakshmi” (Hulu), and “Top Chef” (Bravo) each earning three. Netflix leads the networks once again with the chance to take home 22 trophies. HBO/HBO Max follows close behind with 14 possible wins.
“As the number of platforms continues to grow, the quality of unscripted television programming has skyrocketed, and we are thrilled to be able to recognize so much great work, especially at the end of a year when this content was needed more than ever,” said Critics Choice Association CEO Joey Berlin. “We are looking forward to celebrating this year’s winners, and our most deserving Impact Award honoree Alex Trebek, later this month.”
Said NPACT General Manager Michelle Van Kempen, “Throughout the unprecedented challenge of the last year, nonfiction content was a touchstone for audiences around the globe. From documentary to reality, competition to game shows, nonfiction provided much-needed connection and entertainment. We are immensely grateful to the family of Alex Trebek for allowing NPACT and the CCA to honor him this year, and to celebrate the positive impact he made on our industry.”
Alex Trebek was an American game show host, best known as the longtime host of the television quiz show “Jeopardy!,” becoming host upon its 1984 revival in syndication.
Trebek began his broadcasting career in news with the Canadian Broadcasting Company (CBC), where he covered national news and special events for both radio and television. Prior to “Jeopardy!,” Trebek hosted such game shows as “The Wizard of Odds,” “Double Dare,” “High Rollers,” “Battlestars,” “Classic Concentration,” “The $128,000 Question,” and “To Tell The Truth.” He also frequently appeared as himself in many films and television shows.
Trebek hosted more than 8,000 “Jeopardy!” episodes, setting a Guinness World Record. He received the Daytime Emmy Award for Outstanding Game Show Host seven times, and was presented with the 2011 Lifetime Achievement Award from the National Academy of Television Arts and Sciences. He and Jeopardy! received the Peabody Award in 2011. Alex Trebek passed away on November 8, 2020.
For the Critics Choice Real TV Awards, Bob Bain and Joey Berlin serve as Executive Producers. Michelle Van Kempen is Executive Producer for NPACT.
The Critics Choice Real TV Awards were launched in 2019 when the CCA and NPACT joined forces to create a large-scale awards platform dedicated to giving the robust, ever-evolving unscripted genre critical attention and support. The awards celebrate programming across broadcast, cable and streaming platforms, and also recognize industry leaders with special awards highlighting career achievements.
The Critics Choice Association monitors all awards submissions and selects the nominees in all competitive categories. NPACT leads the selection of non-competitive discretionary awards. A blue-ribbon nominating committee made up of CCA members with expertise in nonfiction, unscripted and reality programming determines the nominees. Winners will be chosen by a vote of the CCA membership.
About the Critics Choice Association (CCA)
The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 400 television, radio and online critics. It was organized in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the blurring of the distinctions between film, television, and streaming content. For more information, visit CriticsChoice.com.
About NPACT
NPACT is the trade association for nonfiction production companies doing business in the U.S. Serving as the voice for the unscripted creative community, NPACT advocates for the advancement of nonfiction production across all genres of unscripted, and provides resources and information to help improve business conditions for its member companies whose programming airs across all linear TV and streaming platforms. For more information visit npact.org.
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NOMINATIONS FOR THE THIRD ANNUAL CRITICS CHOICE REAL TV AWARDS
BEST COMPETITION SERIES
RuPaul’s Drag Race (VH1)
The Amazing Race (CBS)
The Great British Baking Show (Netflix)
Top Chef (Bravo)
Tough as Nails (CBS)
BEST COMPETITION SERIES: TALENT/VARIETY
American Idol (ABC)
Legendary (HBO Max)
The Masked Singer (Fox)
The Voice (NBC)
World of Dance (NBC)
BEST UNSTRUCTURED SERIES
Crikey! It’s the Irwins (discovery+)
Deaf U (Netflix)
Lenox Hill (Netflix)
RuPaul’s Drag Race: Untucked (VH1)
The Real World Homecoming: New York (Paramount+)
BEST STRUCTURED SERIES
A World of Calm (HBO Max)
Diners, Drive-Ins and Dives (Food Network)
History of Swear Words (Netflix)
Queer Eye (Netflix)
The Oprah Conversation (Apple TV+)
BEST BUSINESS SHOW
Restaurant: Impossible (Food Network)
Shark Tank (ABC)
Streets of Dreams with Marcus Lemonis (CNBC)
Undercover Billionaire (Discovery Channel and discovery+)
Wahl Street (HBO Max)
BEST SPORTS SHOW
30 for 30 (ESPN)
Defying Gravity (YouTube Originals)
Last Chance U: Basketball (Netflix)
Peyton’s Places (ESPN+)
Real Sports with Bryant Gumbel (HBO)
BEST CRIME/JUSTICE SHOW
I’ll Be Gone in the Dark (HBO)
Murder Among the Mormons (Netflix)
Murder on Middle Beach (HBO)
The Ripper (Netflix)
The Vow (HBO)
Trafficked with Mariana van Zeller (National Geographic)
BEST ONGOING DOCUMENTARY SERIES
American Masters (PBS)
Dear … (Apple TV+)
Frontline (PBS)
POV (PBS)
The Circus: Inside the Greatest Political Show on Earth (Showtime)
The Vow (HBO)
BEST LIMITED DOCUMENTARY SERIES
1971: The Year That Music Changed Everything (Apple TV+)
Amend: The Fight for America (Netflix)
I’ll Be Gone in the Dark (HBO)
Love Fraud (Showtime)
Murder on Middle Beach (HBO)
Secrets of the Whales (Disney+ / National Geographic)
BEST SHORT FORM SERIES
First Person (Snapchat)
Issa Rae Teaches Creating Outside the Lines (MasterClass)
Lady Parts (ellentube)
OWN Your Vote (NowThis and OWN social channels)
Ready Jet Cook (Food Network Kitchen)
BEST LIVE SHOW
A special winner will be announced on June 21.
BEST CULINARY SHOW
Amy Schumer Learns to Cook (Food Network)
Magnolia Table with Joanna Gaines (discovery+)
Nailed It! (Netflix)
Taste the Nation with Padma Lakshmi (Hulu)
Top Chef (Bravo)
BEST GAME SHOW
25 Words or Less (Fox/Syndicated)
Jeopardy! (CBS Television/Syndicated)
Supermarket Sweep (ABC)
Weakest Link (NBC)
Who Wants to Be a Millionaire (ABC)
BEST TRAVEL/ADVENTURE SHOW
Men in Kilts (Starz)
Running Wild with Bear Grylls (National Geographic)
Somebody Feed Phil (Netflix)
Stanley Tucci: Searching for Italy (CNN)
The Great Food Truck Race (Food Network)
BEST ANIMAL/NATURE SHOW
Life in Color with David Attenborough (Netflix)
Secrets of the Whales (Disney+ / National Geographic)
That Animal Rescue Show (Paramount+)
The Incredible Dr. Pol (Nat Geo WILD)
Wizard of Paws (BYUtv)
BEST LIFESTYLE: FASHION/BEAUTY SHOW
Haute Dog (HBO Max)
Queer Eye (Netflix)
Shine True (Fuse)
Skin Decision: Before and After (Netflix)
Stylish with Jenna Lyons (HBO Max)
BEST RELATIONSHIP SHOW
90 Day Fiancé (TLC)
Couples Therapy (Showtime)
Indian Matchmaking (Netflix)
Love on the Spectrum (Netflix)
My Love: Six Stories of True Love (Netflix)
BEST LIFESTYLE: HOME/GARDEN SHOW
House Hunters International (HGTV)
Martha Knows Best (HGTV)
Property Brothers: Forever Home (HGTV)
Rock the Block (HGTV)
Selling Sunset (Netflix)
BEST ENSEMBLE CAST IN AN UNSCRIPTED SERIES
Top Chef (Bravo)
RuPaul’s Drag Race (VH1)
Queer Eye (Netflix)
Crikey! It’s The Irwins (discovery+)
The Real World Homecoming: New York (Paramount+)
BEST SHOW HOST
RuPaul – RuPaul’s Drag Race (VH1)
Oprah Winfrey – The Oprah Conversation (Apple TV+)
Stanley Tucci – Stanley Tucci: Searching for Italy (CNN)
Padma Lakshmi – Taste the Nation with Padma Lakshmi (Hulu)
John Oliver – Last Week Tonight with John Oliver (HBO)
MALE STAR OF THE YEAR
Trevor Noah – The Daily Show with Trevor Noah (Comedy Central)
RuPaul – RuPaul’s Drag Race (VH1)
Stanley Tucci – Stanley Tucci: Searching for Italy (CNN)
Guy Fieri – Diners, Drive-Ins and Dives (Food Network)
Phil Rosenthal – Somebody Feed Phil (Netflix)
FEMALE STAR OF THE YEAR
Nicole Byer – Nailed It! (Netflix)
Sandra Lee – Dr. Pimple Popper (TLC)
Michelle Visage – RuPaul’s Drag Race (VH1)
Padma Lakshmi – Taste the Nation with Padma Lakshmi (Hulu)
Samantha Bee – Full Frontal with Samantha Bee (TBS)
OUTSTANDING ACHIEVEMENT IN NONFICTION PROGRAMMING BY A NETWORK OR STREAMING PLATFORM
Discovery+
Disney+
HBO Max
Hulu
National Geographic
Netflix
OUTSTANDING ACHIEVEMENT IN NONFICTION PRODUCTION
The Intellectual Property Corporation (IPC)
Jigsaw Productions
Renegade 83
Sharp Entertainment
NOMINEES BY PROGRAM FORTHE THIRD ANNUAL
CRITICS CHOICE REAL TV AWARDS
1971: The Year That Music Changed Everything (Apple TV+) – 1
Best Limited Documentary Series
25 Words or Less (Fox/Syndicated) – 1
Best Game Show
30 for 30 (ESPN) – 1
Best Sports Show
90 Day Fiancé (TLC) – 1
Best Relationship Show
A World of Calm (HBO Max) – 1
Best Structured Series
Amend: The Fight for America (Netflix) – 1
Best Limited Documentary Series
American Idol (ABC) – 1
Best Competition Series: Talent/Variety
American Masters (PBS) – 1
Best Ongoing Documentary Series
Amy Schumer Learns to Cook (Food Network) – 1
Best Culinary Show
Couples Therapy (Showtime) – 1
Best Relationship Show
Crikey! It’s the Irwins (discovery+) – 2
Best Unstructured Series
Best Ensemble Cast In An Unscripted Series
Deaf U (Netflix) – 1
Best Unstructured Series
Dear … (Apple TV+) – 1
Best Ongoing Documentary Series
Defying Gravity (YouTube Originals) – 1
Best Sports Show
Diners, Drive-Ins and Dives (Food Network) – 2
Best Structured Series
Male Star of the Year
Dr. Pimple Popper (TLC) – 1
Female Star of the Year
First Person (Snapchat) – 1
Best Short Form Series
Frontline (PBS) – 1
Best Ongoing Documentary Series
Full Frontal with Samantha Bee (TBS) – 1
Female Star of the Year
Haute Dog (HBO Max) – 1
Best Lifestyle: Fashion/Beauty Show
History of Swear Words (Netflix) – 1
Best Structured Series
House Hunters International (HGTV) – 1
Best Lifestyle: Home/Garden Show
I’ll Be Gone in the Dark (HBO) – 2
Best Crime/Justice Show
Best Limited Documentary Series
Indian Matchmaking (Netflix) – 1
Best Relationship Show
Issa Rae Teaches Creating Outside the Lines (MasterClass) – 1
Best Short Form Series
Jeopardy! (CBS Television/Syndicated) – 1
Best Game Show
Lady Parts (ellentube) – 1
Best Short Form Series
Last Chance U: Basketball (Netflix) – 1
Best Sports Show
Last Week Tonight with John Oliver (HBO) – 1
Best Show Host
Legendary (HBO Max) – 1
Best Competition Series: Talent/Variety
Lenox Hill (Netflix) – 1
Best Unstructured Series
Life in Color with David Attenborough (Netflix) – 1
Best Animal/Nature Show
Love Fraud (Showtime) – 1
Best Limited Documentary Series
Love on the Spectrum (Netflix) – 1
Best Relationship Show
Magnolia Table with Joanna Gaines (discovery+) – 1
Best Culinary Show
Martha Knows Best (HGTV) – 1
Best Lifestyle: Home/Garden Show
Men in Kilts (Starz) – 1
Best Travel/Adventure Show
Murder Among the Mormons (Netflix) – 1
Best Crime/Justice Show
Murder on Middle Beach (HBO) – 2
Best Crime/Justice Show
Best Limited Documentary Series
My Love: Six Stories of True Love (Netflix) – 1
Best Relationship Show
Nailed It! (Netflix) – 2
Best Culinary Show
Female Star of the Year
OWN Your Vote (NowThis and OWN social channels) – 1
Best Short Form Series
Peyton’s Places (ESPN+) – 1
Best Sports Show
POV (PBS) – 1
Best Ongoing Documentary Series
Property Brothers: Forever Home (HGTV) – 1
Best Lifestyle: Home/Garden Show
Queer Eye (Netflix) – 3
Best Structure Series
Best Lifestyle: Fashion/Beauty Show
Best Ensemble Cast In An Unscripted Series
Ready Jet Cook (Food Network Kitchen) – 1
Best Short Form Series
Real Sports with Bryant Gumbel (HBO) – 1
Best Sports Show
Restaurant: Impossible (Food Network) – 1
Best Business Show
Rock the Block (HGTV) – 1
Best Lifestyle: Home/Garden Show
Running Wild with Bear Grylls (National Geographic) – 1
Best Travel/Adventure Show
RuPaul’s Drag Race (VH1) – 5
Best Competition Series
Best Ensemble Cast In An Unscripted Series
Best Show Host
Male Star of the Year
Female Star of the Year
RuPaul’s Drag Race: Untucked (VH1) – 1
Best Unstructured Series
Secrets of the Whales (Disney+ / National Geographic) – 2
Best Limited Documentary Series
Best Animal/Nature Show
Selling Sunset (Netflix) – 1
Best Lifestyle: Home/Garden Show
Shark Tank (ABC) – 1
Best Business Show
Shine True (Fuse) – 1
Best Lifestyle: Fashion/Beauty Show
Skin Decision: Before and After (Netflix) – 1
Best Lifestyle: Fashion/Beauty Show
Somebody Feed Phil (Netflix) – 2
Best Travel/Adventure Show
Male Star of the Year
Stanley Tucci: Searching for Italy (CNN) – 3
Best Travel/Adventure Show
Best Show Host
Male Star of the Year
Streets of Dreams with Marcus Lemonis (CNBC) – 1
Best Business Show
Stylish with Jenna Lyons (HBO Max) – 1
Best Lifestyle: Fashion/Beauty Show
Supermarket Sweep (ABC) – 1
Best Game Show
Taste the Nation with Padma Lakshmi (Hulu) – 3
Best Culinary Show
Best Show Host
Female Star of the Year
That Animal Rescue Show (Paramount+) – 1
Best Animal/Nature Show
The Amazing Race (CBS) – 1
Best Competition Series
The Circus: Inside the Greatest Political Show on Earth (Showtime) – 1
Best Ongoing Documentary Series
The Daily Show With Trevor Noah (Comedy Central) – 1
Male Star of the Year
The Great British Baking Show (Netflix) – 1
Best Competition Series
The Great Food Truck Race (Food Network) – 1
Best Travel/Adventure
The Incredible Dr. Pol (Nat Geo WILD) – 1
Best Animal/Nature Show
The Masked Singer (Fox) – 1
Best Competition Series: Talent/Variety
The Oprah Conversation (Apple TV+) – 2
Best Structured Series
Best Show Host
The Real World Homecoming: New York (Paramount+) – 2
Best Unstructured Series
Best Ensemble Cast In An Unscripted Series
The Ripper (Netflix) – 1
Bets Crime/Justice Show
The Voice (NBC) – 1
Best Competition Series: Talent/Variety
The Vow (HBO) – 2
Best Crime/Justice Show
Best Ongoing Documentary Series
Top Chef (Bravo) – 3
Best Competition Series
Best Culinary Show
Best Ensemble Cast In An Unscripted Series
Tough as Nails (CBS) – 1
Best Competition Series
Trafficked with Mariana van Zeller (National Geographic) – 1
Best Crime/Justice Show
Undercover Billionaire (Discovery Channel and discovery+) – 1
The Amended Bylaws have been approved by the CCA membership without any opposition.
Now it is time for our bi-annual election of the Board of Directors. I am happy to report that six of the current Board members have expressed their strong desire to serve another two-year term, while longtime Board member Sara Voorhees will transition to an advisory role.
As CCA continues to grow with multiple annual awards events, our wildly successful Celebration of Black Cinema, and several new initiatives in the pipeline, additional seats have been added to the Board to bring in some new blood and fresh perspectives. Jacqueline Coley and Paulette Cohn have been officially endorsed by all the current Board members, EVP John De Simio and me to join the Board when the new term begins on July 1. Additionally, Teri Hart has been similarly endorsed to join the Board, becoming its first Canadian member.
However, if you wish to run for a Board seat in opposition, please read the attached official Board of Directors Election Memo as to how to proceed.
Joey Berlin – Chief Executive Officer Critics Choice Association
CRITICS CHOICE ASSOCIATION BOARD OF DIRECTORS ELECTION MEMO
As mandated by the Critics Choice Association’s new and improved bylaws, it is time for the bi-annual Board of Directors election. While day-to-day responsibilities are delegated to the Chief Operating Officer and the Executive Vice President, the Board broadly oversees those operations. The BFCA current Directors are Shawn Edwards, Jim Ferguson, Ed Martin, Sean O’Connell, Mark Ramsey, Sam Rubin and Sara Voorhees.
As Chief Executive Officer, I serve on the Board as well, along with Executive Vice President John De Simio. It has been my pleasure to work closely with Shawn, Jim, Ed, Sean, Mark, Sam and Sara. I believe that their commitment to the CCA, their wisdom, their experience, and their record of success in building the CCA continue to make them the perfect team to help run our group. I am thrilled to report that six of the seven have stated their wish to continue on the Board and I heartily endorse each of them for re-election, while Sara will transition to an advisory role. Collectively, their contributions to the BFCA cannot be overstated.
Additionally, the Board is recommending that Jacqueline Coley, Paulette Cohn and Teri Hart join the Board as new members and bring some fresh perspectives to the CCA leadership. They have been important contributors to our ongoing activities and have agreed to serve.
If any other members wish to run for a seat on the Board, now is the time to throw that hat into the ring. Members can place their name in nomination or otherwise comment on the election below. Or any member can feel free to contact me directly with any questions ([email protected]).
The nominating process will close on June 4, 2021. A new article will be posted after that date, if necessary, in preparation for an election later in June. If no one chooses to oppose the current Board members running for re-election and Jacqueline, Paulette and Teri, there will be no voting and the current Board along with Jacqueline, Paulette and Teri will serve.
Board members serve two-year terms, beginning on July 1. The current financial reimbursement for each Board member is $5,000-10,000 per year.
The Board of Directors has unanimously approved the following amended bylaws. (Click here to download a PDF.) At this time the membership is also asked to officially approve the amended bylaws, as mandated in our original bylaws. There are no major changes in the amended bylaws; they simply update our Association’s rules to reflect its evolution over the past years, such as the creation of new Critics Choice events, membership branches, and Board expansion.
Please respect the confidentiality of this process and do not share anything in this email with anyone outside of the Critics Choice Association. Thank you.
May 12, 2021 (Burbank, CA) – The Critics Choice Association (CCA) announced today that the 27th annual Critics Choice Awards will air LIVE on The CW Network on Sunday, January 9, 2022 from 7-10pm ET (delayed PT). The show will continue its combined Film and Television awards format, honoring the finest in both cinematic and televised/streaming achievement. Location and additional details for the January 2022 ceremony will be announced at a later date.
“We are thrilled to be partnering with The CW again and looking forward to gathering in person to celebrate the finest work of this upcoming season,” said Critics Choice Association CEO Joey Berlin. “The 27th Annual Critics Choice Awards will mark a return to the glamorous, star-studded revelry that make these nights absolutely unforgettable.”
CRITICS CHOICE AWARDS are bestowed annually to honor the finest in cinematic and television achievement. Historically, they are the most-accurate predictor of Academy Award nominations.
27TH ANNUAL CRITICS CHOICE AWARDS TIMELINE:
Monday, October 4, 2021 – Submissions open for CCA TV categories (submissions are not required for film categories)
Monday, November 15, 2021 – Submissions close for CCA TV categories (submissions are not required for film categories)
Wednesday, November 17, 2021 – NomComs begin deliberations
Monday, November 29, 2021 – NomComs render official recommendations
Monday, November 29, 2021 – Nominating ballots go out to Film Branch members
Wednesday, December 1, 2021 – Critics Choice Awards TV nominations announced
Friday, December 3, 2021 – Midnight (PT) deadline for final Film ballots
Monday, December 6, 2021 – 9 a.m. PT Film nominations announced
Thursday, January 6, 2022 – Final CCA ballots emailed to all members
Friday, January 7, 2022 – 9 p.m. (PT) Deadline for returning final ballots
Sunday, January 9, 2022 – 27th annual Critics Choice Awards presented live on The CW
The 27th annual Critics Choice Awards show will be produced by Bob Bain Productions and Berlin Entertainment. The CCA is represented by Dan Black of Greenberg Traurig. Follow the 27th annual Critics Choice Awards on Twitter and Instagram @CriticsChoice and on Facebook/CriticsChoiceAwards.
About the Critics Choice Association (CCA) The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 400 television, radio and online critics and entertainment reporters. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the blurring of the distinctions between film, television, and streaming content. For more information, visit: www.CriticsChoice.com
About The CW THE CW TELEVISION NETWORK launched in 2006 as America’s fifth broadcast network, with programming targeting younger viewers, a demographic highly sought after by advertisers. The CW, a joint venture between Warner Bros. Entertainment and CBS Corporation, broadcasts a six-night, 12-hour primetime lineup, Sunday through Friday. The CW’s primetime programming is also available to stream for free, without authentication, on the ad-supported cwtv.com and The CW app, now available on every major OTT platform. In daytime, The CW broadcasts a Monday through Friday afternoon block, and a three-hour Saturday morning kids block. The CW’s digital network, CW Seed, launched in 2013, and offers original short-form digital content as well as past seasons of fan-favorite television series. For more information about the network and its programming, visit www.cwtvpr.com.
